
Introduction
Daniel Barber’s 2009 thriller Harry Brown begins as we see phone-camera footage held by youths on a London estate. The video speeds round, as the owner is sat on a motorbike, and the gang-members threaten a woman with her child before accidentally (?) shooting her and then speeding off before the motorbike riders are hit by a truck. The footage represents the story which is about to begin but, on a first-watch, it is easy to believe it is actual footage which shocks you to the core. Does this happen? Has it happened already? How can we live in a world whereby this is possible? It is this same shock and horror you feel when watching End of Watch.
At the front of the Action
Unlike Harry Brown, whereby the film begins more conventionally after the introduction, End of Watch remains committed to the found-footage element as street cop Taylor (Gyllenhaal) introduces himself and narrates the story before presenting us with an unspecified, but considerable, length of time in the company of himself and Zavala (Michael Peña), his partner as they patrol X13, a district which is initially new to them. By the end of the film, they know much more about this area. They know about the Mexican drug cartels which operate. They learn about the power of Big Evil (Maurice Compte), a major drug-lord. They realise how much danger lurks behind the street corners and curb-side gangs that infest the area.

The title, End of Watch, refers to a euphemism used in the force to describe an officer/officers killed in the line of duty so it is timely that this film, with a tragic outcome, comes so soon after the shocking story regarding the murder of Nicola Hughes and Fiona Bone, Police Constables of Manchester. We are shown how challenging and difficult this job truly is – especially in poverty-stricken areas such as South L.A.
Ayer doesn’t shy away from the ambiguous morals Police Officers are expected to have and, akin to Training Day (written by Ayer), we spend a huge amount of time inside the police vehicle with the cops as they discuss the profession. Zavala’s wrestling and fighting with African-American Tre (Cle Shaheed Sloan) – an act which garners him respect and, as Tre tells him “keepin’ it ‘G’” – isn’t the same as Denzel Washington forcing Ethan Hawke to smoke drugs, though it does question what police officers need to do to gain the trust and respect of those in troubled areas. In a world post-The Wire, it is easy to pass this off as another imitation cashing in on David Simon’s successful TV series. This is much more – it is a shining example of the amazing career of the police officer. The hugely important role they play in society and the ignorance others have when even considering the profession to be an easy job. This is a job that is akin to the military – these men are on the front line and deserve every ounce of respect we can offer. Blistering performances and flawless direction leave you shocked and amazed at the end of the film: Is this the reality of law-enforcement?
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